Shirin Neshat Test

[test] Fervour, 2000

€500

Time-limited editionShipping est. 2 weeks

Edition size confirmed after the 48 hour release

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This work is available to buy for limited time only. Secure your piece before the time ends.

Shirin Neshat transforms a powerful film installation into a new limited edition print.

Fervor (2000) is the final work in Shirin's celebrated film trilogy, following Turbulent (1998) and Rapture (1999). Shot in Marrakech, the two-channel installation centres on a single man and woman whose paths briefly cross. Intimate and political, the film captures the restraint and intensity of forbidden desire.

This limited edition print brings together two film stills into a single composition, mirroring the work's original two-channel form. The piece has been crafted in close collaboration with the artist at our London fine art print studio, Make-Ready.

Dimensions

Unframed: 22.8cm (H) × 42cm (W)
Float mount: 30.2 (H) x 49.4 (W) x 3 cm (D)

Window mount: 56.8 (H) x 38.1 (W) x 3 cm (D)

Medium

Archival pigment print on Hahnemühle Photo Rag Bright White 310gsm paper.

Authentication

Signed by the artist. Individually numbered.

Certificate of Authenticity

Arrives with a certificate of authenticity.

Release date

April 14, 2026

Prints can be ordered float-mounted or window-mounted in one of four framing options:

We ship framed and unframed prints in bespoke boxes. The boxes are specially designed to ensure safe arrival, and you'll find gloves and handling instructions inside. If you order more than one unframed print, your artworks may be shipped in the same box.

Payment

Pay with bank card, crypto, Apple Pay or Google Pay. If you wish you to use an alternative payment method, get in touch.

Policies

Returns and refunds

This artwork is protected by a resale agreement, which all collectors will need to sign before placing an order. More details in our FAQs

Shirin Neshat TestCollaboration coming soonShirin Neshat is one of the most well-known Iranian artists in the world, and yet, she’s never been able to exhibit her work in her home country. Having lived in exile in New York City for most of her adult life, Shirin’s dual cultural identity is the unyielding thread through her 40-year career. In 1974, Shirin first moved to Los Angeles (somewhat reluctantly) to study art. She wasn’t able to return to Iran until 1990, and when she did, the Persian country she knew was gone – governed by the Islamic Republic of Iran since the 1979 revolution. Shirin began interviewing women who lived through the regime change, saying, “it became this journey about learning what happened in Iran when I was gone. I became obsessed with the subject of martyrdom.” Through this research, Shirin created her seminal series Women of Allah (1993-1997). The black and white portraits embellished with Farsi calligraphy capture the defiance and strength of Iranian women, while also expressing Shirin’s personal grief and longing for a cultural identity she’d lost.

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